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Urban Ambience - Music Of The Moment mp3 track

Urban Ambience - Music Of The Moment mp3 track

MP3 1973 mb. | FLAC 1638 mb. | WMA 1340 mb.

Performer: Urban Ambience
Title: Music Of The Moment
Released: 1987
Style: Free Improvisation, Abstract, Experimental
Category: Electronic / Jazz / Rock
Rating: 4.7 ✦
Other format: MMF VQF AC3 AAC MOD MP4 MIDI

Tracklist Hide Credits

A1 Just Phone Ahead 0:32
A2 Into Orbit 0:28
A3 Play-Off, The Most
Guest [Special], Saxophone [Saxes], Synth, Percussion – Bob McCloskey
A4 Nuclear Waltz
Guest [Special], Saxophone [Saxes], Synth, Percussion – Bob McCloskey
A5 Boing, The Cat 4:30
A6 Out Of Orbit 4:35
A7 Drinking From The Same Pool
Guest [Special], Saxophone [Saxes], Synth, Percussion – Bob McCloskey
B1 Twisted Turns In The Dark Woods / Shark Therapy
Engineer – Diane Andronica
B2 Imps At The Joint
Engineer – Marc LeibowitzGuest [Special], Electronic Drums [Drums Electronique] – James Clements
B3 Ripe And Ready To Eat 3:36
B4 Demographic Behavior 3:39
B5 Ascending The Spiral Staircase 5:50
B6 Chimps At The Joint
Engineer – Marc LeibowitzGuest [Special], Electronic Drums [Drums Electronique] – James Clements

Companies, etc.

  • Copyright (c) – Camaraderie Music
  • Copyright (c) – WBLA³ Productions
  • Phonographic Copyright (p) – Camaraderie Music
  • Phonographic Copyright (p) – WBLA³ Productions
  • Recorded At – WBLA³ Studio
  • Recorded At – BNN-TV 3
  • Recorded At – WBRS
  • Recorded At – Green St. Station
  • Recorded At – WMFO
  • Mixed At – WBLA³ Studio
  • Mastered At – WBLA³ Studio
  • Duplicated By – WBLA³ Media Services


  • Design – Mr. C.*
  • E-Bow, Slide Guitar, Guitar [Regular], Tape [Tapes] – Mr. Curt
  • Engineer [Assistant] – Diane Andronica (tracks: A1 to A7)
  • Mixed By, Mastered By, Engineer – Chuck U.*, Charles Rosina (tracks: A1 to A7)
  • Painting [Cover] – Megbar
  • Producer, Arranged By – Charles Rosina, Mr. Curt
  • Remix, Engineer – Charles U.* (tracks: B1 to B6), Mr. C.* (tracks: B1 to B6)
  • Tape [Tapes], Loops, Electronics [Reels, Radios], Turntables, Synthesizer – Chuck U. Rosina*


Side A recorded at wBLA³ Studio, Jamaica Plain, MA:
A1 recorded 3/24/77
A2 and A6 recorded 9/22/86
A3 recorded 6/11/87
A4 and A7 recorded 10/22/86
A5 recorded 11/30/86

Side B recorded live:
B1 recorded 1/21/87 BNN-TV 3 cable broadcast
B2 and B6 recorded 2/11/87 WBRS radio broadcast "The Joint"
B3 recorded 9/27/86 Green St. Station, a J.P. Club
B4 and B5 recorded 12/19/86 WMFO radio broadcast

ambience sounds (7379). Most recent Oldest Shortest duration Longest duration. Brussels city park - urban tone with distant voices, kids, and dog, and wind in trees 02 - LCR. + more info.

SFX – Urban Ambience. Donations are made through PayPal. Any amount you can manage is extremely helpful and greatly appreciated. Please see my homepage for attribution information. General street ambience.

That’s the classic definition of ambient music, stated by Brian Eno in 1978 on the sleeve notes to his album Ambient 1: Music for Airports. And he should know, since he basically invented the genre three years earlier with his album Discreet Music. Ambient is now used to describe all kinds of music, from tracks you can dance to all the way to harsh noise.

Right now, actual ‘muzak’ or elevator music is so hard to find that it would probably sound interesting if you did. Perhaps in 1978 it was something that needed to be opposed. It’s interesting that Eno’s ambient has a punk/post-punk date, and the very starkness and self-discipline of some of his (and others’) ambient LPs give them an affinity with the stark punk/post-punk of Magazine, Gang of Four et al. The word ‘ambient’ comes from the Latin and means ‘going about’ – from ‘iens’ going, and ‘ambi’, about. It’s interesting that Eno’s use of the word ‘ambient’ has also been adopted (by writers and DJs, compilers of LPs, etc) to claim that records made before 1978 were also ‘ambient’.

At that moment the notion of youth, both as a culture and a demographic, was born; it defines our culture now to a degree that we no longer question. In the transition, rock'n'roll has lost much of its power to shock and to galvanise, has become both fragmented and ubiquitous. The end of the hippy era. 1969 The Stooges' first album is released. The greatest and most influential garage band ever, Detroit's the Stooges made stripped-down, dumb and dirty rock'n'roll like no one else. Fronted by Iggy Pop, the most outrageously self-destructive showman rock has yet thrown up, their debut album, though dismissed in its day, remains the template for punk rock in all its manifestations, from the Sex Pistols to the White Stripes. The 70s. 1970 Black Sabbath release their first album. Music for Airports is Eno's first experiment with the notion of ambience - modern mood music.

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The music of the Aughts was all over the map in the very best way, with file sharing and randomly produced personal playlists encouraging eclecticism and experimentation in both artists and listeners. Rolling Stone‘s list of the decade’s 100 best songs – which was originally unveiled in 2009 and was compiled by a group of over 100 artists, critics and industry insiders – includes garage rock revivalists, dance-happy indie, sassy starlets, slick modern R&B, boundary-shattering pop hybrids and a few familiar icons from previous eras.

Before I press play: Kinda weird that Old Town Road is on the album twice. Also why is the remix first but the original last. Also I've seen some people complaining that all his songs are short, like that's inherently a bad thing. Small songs can be really good at getting a point across in one direct hit. I:E; Jack Stauber and Tierra Whack. After Listening: Unironically Great.