Performer: | The Rosicrucian Order Amorc |
Title: | Bed Time Tales |
Country: | US |
Style: | Story |
Category: | Sounds / For children |
Rating: | 4.6 ✦ |
Other format: | ADX AC3 MMF MOD WAV AIFF AA |
A | Bed Time Tales (Side 1) |
B | Bed Time Tales (Side 2) |
Category | Artist | Title (Format) | Label | Category | Country | Year |
---|---|---|---|---|---|---|
Number 9 | The Rosicrucian Order AMORC* | Bed Time Tales (LP) | Rosicrucian | Number 9 | US | Unknown |
Bed Time Tales (LP). Mantras - The Mystical Intonations Of The Ancients (Flexi, 7", S/Sided). Rosicrucian, Eva-Tone Soundsheets.
AMORC claims an association with a "perennial philosophy", often referred to as "The Primordial Tradition".
Within the teachings, I have found an understanding of all the so-called mysteries of life, bringing me inner peace and contentment and giving me a higher appreciation of science and religion.
At that point, according to AMORC internal mythology, the time was right for the existence of this body of secret knowledge to become open, . revealed, to the world, in the form of the Rosicrucian manifestos. In his book, Silentium Post Clamores (1617), famous seventeenth century Rosicrucian Michael Maier described the origins of Rosicrucianism as "Egyptian, Brahmanic, derived from the Mysteries of Eleusis and Samothrace, the Magi of Persia, the Pythagoreans, and the Arabs. Several of his other works also allude to the mysterious origins of the Rosicrucians.
It provides a sample lesson that reflects the hundreds of lessons that members go through. It outlines its current manifestation.
History of Science: Geheime Figuren der Rosenkreuzer, aus dem 16ten und 17ten Jahrhundert: aus einem alten Mscpt. Zum erstenmal ans Licht gestellt: erstes - Heft: Geheime Figuren der Rosenkreuzer, aus dem 16ten und 17ten Jahrhundert: aus einem alten Mscpt. Egyptian Tales and Legends by . Wallis Budge Spanning the early dynastic period to modern times, treasury of Egyptian folklore encompasses 36 beguiling stories. First part contains tales originally written in hieratic characters; second part documents Christian influence; third part recounts stories of Muslims who succeeded Copts. 40 black-and-white illustrations.