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Georges Bizet - L'Arlesienne-Suite Nr.1 / L'Arlesienne-Suite Nr.2 mp3 track

Georges Bizet - L'Arlesienne-Suite Nr.1 / L'Arlesienne-Suite Nr.2 mp3 track

MP3 1231 mb. | FLAC 1700 mb. | WMA 1892 mb.

Performer: Georges Bizet
Title: L'Arlesienne-Suite Nr.1 / L'Arlesienne-Suite Nr.2
Category: Classical
Rating: 4.4 ✦
Other format: DMF MMF AA MIDI MP2 FLAC WAV

Tracklist

L'Arlesienne-Suite Nr.1
A1 Prelude
A2 Minuetto Nr. 1
B1 Adagietto
B2 Carillon
L'Arlesienne-Suite Nr.2
B3 Pastorale
B4 Intermezzo
B5 Minuetto Nr. 2
B6 Farandole

Companies, etc.

  • Licensed From – Pantheon

Credits

  • Composed By – Georges Bizet
  • Conductor – Marcel Couraud
  • Orchestra – Bamberger Symphoniker

Barcode and Other Identifiers

  • Matrix / Runout (Side A): 10.230 A
  • Matrix / Runout (Side B): 10.230 B

L'Arlésienne Suite N. (Bizet, Georges). Authorship Note This suite was arranged by Ernest Guiraud (1837-1892) after Bizet's death For the complete incidental music, see L'Arlésienne. 1 For 2 Horns, 2 Flugelhorns, 2 Trumpets, 4 Trombones and Tuba (Rondeau). Arrangements and Transcriptions. 1 For Theatre Orchestra (Mouton). 2 For Theatre Orchestra (Tobani). 3 For Piano 4 hands (Vilbac). 1 For Violin and Piano (Centano). 2 For Voice and Piano (Lindsay). 3 For Organ (Alphenaar). 1 For Flute, Harp or Piano, Viola ad lib. and Cello ad lib. (Wetzger).

Georges Bizet composed L'Arlésienne as incidental music to Alphonse Daudet's play of the same name, usually translated as The Girl from Arles. It was first performed on 1 October 1872 at the Vaudeville Theatre (now a cinema known as the Gaumont Opéra). Bizet's music consists of 27 numbers (some only a few bars) for voice, chorus, and small orchestra, ranging from short solos to longer entr'actes. Bizet himself played the harmonium backstage at the premiere performance.

See: L'Arlésienne Suite N. and L'Arlésienne Suite N. For Voice and Piano (Bizet). Francet Mamaï, fermier du Castelet Fréderi, son petit-fils Balthazar, chef des bergers Le patron Marc, marinier du Rhône Mitifio, un gardien de chevaux L’équipage Un valet Rose Mamaï Renaude L’Innocent, second petit-fils de Francet Vivette Une servante. 8 soprano 1, 8 soprano 2, 4 tenors, 4 basses).

On this page you can listen to mp3 music free or download album or mp3 track to your PC, phone or tablet. This album was released on the label Schallplattengilde Gutenberg (catalog number AGL 1013). Download mp3. Length of track. L'Arlesienne-Suite N. Find music audio mp3 or zip. mp3 or zip. ? L'Arlesienne-Suite N. ? In studio record of this music release "L'Arlesienne-Suite N., L'Arlesienne-Suite N. " attended those artists

L'Arlesienne - Suite nr. 2: Pastorale. 82 BPM. 2. L'Arlesienne - Suite nr. 2: Intermezzo. BPM Profile L'Arlesienne-Suite No. 2, Symphonie No. 1. Album starts at 82BPM, ends at BPM (-82), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by Georges Bizet. Roma, Marche Funèbre, Patrie Overture, Petite Suite.

l'arlesienne (suite nr. 1) georges bizet качать онлайн, как и Georges Bizet - Carmen Suite 1 - Aragonaise. l'arlesienne (suite nr. 1) georges bizet. Symphony Orchestra - Alfred Scholz - Carmen Suite N. - Chanson du Toreador. - Habanera.

L'Arlesienne Suite, Nr. 1: I. Prelude. L'Arlesienne Suite, Nr. 1: II. Menuet. 3. 1: III. Adagietto. 4. 1: IV. Carillon. 5. L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): I. Pastorale - Ernest Guiraud, 5:500:30. 6. Guirand for orchestra): II. Intermezzo - Ernest Guiraud, 4:340:30. Guirand for orchestra): IV. Farandole - Ernest Guiraud, 3:360:30. 9. Carmen Suite No. Prelude - II. Aragonaise. 10. Intermezzo. 11. Seguedille. 12. 1: V. Les dragons d'Alcala. 13. 1: VI. Les Toreadors. 14. 2: I. Marche des contrebandiers. 15. 2: II. Habanera.

Georges Bizet: L'Arlésienne-Suiten 1 & 2; Carmen-Suite. CD - Deutsche Grammophon. On this disc, Abbado and the LSO sound light, witty, warm, colorful, and deep beneath the skin of the music, making the L'Arlésienne Suites ring all the changes from its swaggering March to its sultry Minuet and from its ardent Pastorale to its tragic Farandole, and the Carmen Suite sing, stamp, soar, and sizzle like Dorothy Dandridge in a flowing red skirt. Here, DG's late stereo sound is crisp, clean, deep, and vibrant. Here, in short, is a soupçon of Bizet for all ages, sexes, and tastes that only the hardest of critical hearts could not embrace with open arms.