|3||Far From The Matty Crowd|
|4||Salon Sound Journal|
|5||Bio Dyno Man|
|6||Silent Movie, Russia 1995|
|8||Salvation & Doubt|
|9||Township Jive Revisited|
|11||Living The Dream|
It does not behoove to fall for the apparent flippancy of Dead Cat's Bounce. Now, when the listening public is least likely to expect it, the Cats awake, stretch musically to cover a musical panoply of ideas that has eventually come to be the central axis of Tin Pan Alley. But that kind of song is so cleverly hidden in the wild cacophony that sometimes pervades even the most mellifluous music.
Like I was saying, Chance Episodes is Dead Cat Bounce’s rockin’ return to form. Wait, scratch that! It’s actually the sandbox in which they explore Steckler’s oddball musical whims. So not only is there a tribute to South African township jive, there’s a tune called Silent Movie, Russia 1995 that indeed sounds like a pensive silent movie score with a killer klezmer-derived groove during the solo section. You can practically see villagers dancing in the snow, or whatever Russians did in 1995. Ahead of new album Aban, the Garifuna Collective showcases the radiance of Belize and the resilience of the Garifuna culture in the new video for laid-back single "Hamala".
Dead Cat Bounce (2). Profile: Jazz ensemble led by and featuring ments by saxophonist Matt Steckler. Dead Cat Bounce (2). Chance Episodes (CD, Album).
Songs start at AED . 9. Released: 1 Jan 2011. 2011 Cuneiform Records.
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DEAD CAT BOUNCE is a eclectic fusion music artist. Presciently stripped from the headlines, the term dead cat bounce denotes a small, brief recovery in the price of a declining stock. To the artists in Dead Cat Bounce, it signifies ones dedication to creative rebirth and renewal even as times, traditions and masters move on. Featuring four saxophones of all ranges plus upright bass and drums, Dead Cat Bounce since 1997 has been the unique artistic vision of founder and composer Matt Steckler.
Chance Episodes is Dead Cat Bounce’s first release on Cuneiform Records. Originally commissioned by Chamber Music America for its New Works Creation and Presentation program for jazz-oriented composer projects in 2003, and with the further support of American Music Center’s Composer Assistance Program, the music that evolved into the album Chance Episodes reflects, in Steckler’s words, memory’s haphazard way of bringing to the fore seemingly unrelated events, so that an. episodic personal narrative is created, as if ‘by chance. Steckler, himself, defines the ideal listener and frame of mind for Chance Episodes, imploring listeners to experience the album free from distraction and with an ear toward positive experience and renewal. Blixt – Blixt If the British power trio Cream was the first guitar-led supergroup, Blixt is a 2011 aftershock.
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