|KR 007||Neue Sachlichkeit||Ice / Painless Rage (7")||Kleo||KR 007||Belgium||1981|
The New Objectivity (in German: Neue Sachlichkeit) was a movement in German art that arose during the 1920s as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit
The Neue Sachlichkeit artists embraced realism in defiance of trends towards abstraction but renounced the idiosyncratic subjectivities espoused by early German Expressionists. They instead combined their realism with a healthy dose of the biting protests of the Dada movement. For the most part, their realism was not a traditional mimeticism but a distorted and dark realism that aimed to expose the moral degradation they witnessed in German society. Portraiture, and self-portraiture, was common among the Neue Sachlichkeit artists. Whichever style the artist practiced, there is usually a tension in the portrait between the individual being represented and the type, or roll, that person plays in society. In the effort to paint the truth of the person, Neue Sachlichkeit portraits do not shy away from unflattering details or unsettling psychological effects.
Gigs seen live by. One person has seen Die Neue Sachlichkeit live. Last updated: 24 May 2019, 14:29 Etc/UTC.