|A1||L'Âne Est Tombé Dans Le Fossé|
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|B1||Chanson De L'Aveine|
Quatre motets pour un temps de pénitence (Four Penitential Motets), FP 97, are four sacred motets composed by Francis Poulenc in 1938–39. He wrote them on Latin texts for penitence, scored for four unaccompanied voices. The four motets are: Timor et tremor. Tenebrae factae sunt. Tristis est anima mea. The text for the first motet, Timor et tremor (Great fear and trembling), combines verses from psalms 54 and 30, which Orlando de Lassus had also set as a motet.
I was lucky enough to hear the 1999 London world premiere of the then recently-deceased Gerard Grisey's Quatre chants pour franchir le seuil. It was one of those very rare occasions when most of the audience seemed convinced they had just experienced something quite extraordinary, and it was no surprise that Kairos chose to record this work so soon afterwards. Despite the short measure (there is no coupling and only 42 minutes of music on this disc), I cannot recommend this recording highly enough. Gérard Grisey Quatre chants pour franchir le seuil. 1) I - Prélude: La mort de l'ange 2) II - Interlude: La mort de la civilisation 3) III - Interlude: La mort de la voix 4) IV - Faux interlude: La mort de l'humanité 5) Berceuse. All tracks performed by Catherine Dubosc, soprano and Klangforum Wien conducted by Sylvain Cambreling.
Gérard Grisey: Quatre chants pour franchir le seuil. Chants (4) pour franchir le seuil, for soprano & ensemble.
Cours élémentaire de mathématiques supérieurs - 3 Calcul intégral et séries. Cours de mathematiques speciales~ Tome 2 Algebre et applications a la geometrie - E. (Edmond) Ramis, C. (Claude) Deschamps, J. Odoux - 2225634041. Quinet J. - Cours élémentaire de mathématiques supérieures - 4 Equations différentielles - 6e Edt - Dunod (1987). Cours de mathematiques speciales~ Tome 4 Séries et équations différentielles - E. Odoux - 2225840679. Cours élémentaire de mathématiques supérieures - 5 Géométrie
COURS de CHANT (Trouve ta Voix). Special needs school in Quebec, Quebec.
Les Chants Magnétiques (English title: Magnetic Fields) is the fifth studio album by French electronic musician and composer Jean-Michel Jarre, released on Disques Dreyfus on 22 May 1981. The album was one of the first records to use sampling as a musical element and represents a departure from the sound of Jarre's previous efforts. The long first track consists of three distinct movements, the slower second movement being heavily laden with sample work